FEMINIST MEDIA STUDIO /
About
Members
Projects
Events
he/him
Angus Tarnawsky is an artist, musician, curator and researcher, currently based in London (UK). As an artist and musical improviser, he has worked extensively with lathe cut records and dubplates, often through site-specific and place-responsive performances, installations, workshops, recordings and other archival practices. As a curator, he has released a wide range of experimental audio works on his label, In Context Music (ICM). As a PhD candidate at Concordia University (Tiohtià:ke/Montréal), he investigates the social and political dimensions of hearing and listening in urban spaces. Several phases of this work are documented in the recent book chapter, "What do I hear, and how do I listen? Thinking with sound on the Lachine Canal" as part of Palgrave Macmillan's edited volume, "Sound Research for Troubling Times."
Angus Tarnawsky
Angus Tarnawsky is an artist, musician, curator and researcher, currently based in London (UK). As an artist and musical improviser, he has worked extensively with lathe cut records and dubplates, often through site-specific and place-responsive performances, installations, workshops, recordings and other archival practices. As a curator, he has released a wide range of experimental audio works on his label, In Context Music (ICM). As a PhD candidate at Concordia University (Tiohtià:ke/Montréal), he investigates the social and political dimensions of hearing and listening in urban spaces. Several phases of this work are documented in the recent book chapter, "What do I hear, and how do I listen? Thinking with sound on the Lachine Canal" as part of Palgrave Macmillan's edited volume, "Sound Research for Troubling Times."