Anne-Marie Trépanier

MA Student, Media Studies, Concordia University, Montreal

2016 ―BFA Intermedia/Cyberarts, Concordia University, Montreal

Anne-Marie Trépanier is an artist-researcher, editor and MA student in Media Studies at Concordia University, where she previously completed a BFA in Intermedia/Cyberarts. Her artistic practice focuses on the mediation of embodied knowledge through language and technology, and affective infrastructures. Her work has been presented in group exhibitions and public screenings at AXENÉO7, Eastern Bloc, Fonderie Darling and other venues in Canada. Her writing has been published in esse, Spirale, Synoptique: Online Journal of Film and Moving Image Studies, Architecture | Concordia and the Concordia Undergraduate Journal of Art History. She is also the cofounder and coeditor of Cigale, a bilingual periodical publication dedicated to the production and dissemination of artists’ writings. Trepanier’s current research interests include cyberfeminism, experimental publishing and archiving practices, shadow libraries and documentary practices in the arts. Parallel to her artistic and academic career, she has been working for artistic institutions in Montreal including the Canadian Center for Architecture, the Leonard & Bina Ellen Art Gallery, DHC-ART Foundation and the Phi Center.


Trépanier, A-M. (2019). Wilson, Julie A. and Emily Chivers Yochim. 2017. Mothering Through Precarity. Women’s Work and Digital Media. Synoptique: An Online Journal of Film and Moving Images. 8(2).

Piral, A. & Trépanier, A-M. (2019). Ce qu’il restera de communauté à l’oeuvre. Spirale 270: 57-65.

Trépanier, A-M. (2019). COmmon Business Oriented Language: On the Codification of the Language of Unemployment Insurance and the Busiless Attitude. Cigale 1: 34-45.

Trépanier, A-M. (2018). Nimble Fingers: Converting Textile Workers to the Electronic Industry and Formatting Women’s Work in Julia Piccolo’s “Glissement de compétences”. Studio XX,

Trépanier, A-M. (2016). Bruxelles-Capital. Architecture Concordia 2: 32-35.

Trépanier, A-M. (2015). Narcissisme hystérique et réflexivité : I’m Not the Girl Who Misses Much de Pipilotti Rist. Concordia Undergraduate Journal of Art History 11: 105-112.

Trépanier A-M. (2013). Janet Cardiff et George Bures Milller : Alter Bahnhof Video Walk. Concordia Undergraduate Journal of Art History 9: 142-156.


Artistic Work:

1959 Was a Common Year Starting on Thursday. (Online publication & digital video, 2017). Created for the artistic residency Beyond Spectacle, Gold Saucer Studio, Vancouver. 

Surrélévation d’une villa controuvée. (3D & inkjet prints, 2016). Collaboration with Mégane Voghell for the exhibition-event Partage Montréal 2. (Interactive website, digital tablet and postering campaign, 2015). Collaboration with Alexandre Piral for the exhibition Monument aux victimes de la liberté, AXENÉO7, Gatineau

as_told_to_01 + as_told_to_02. (Video installation on two iPhones, 38min, 2015). Collaboration with Mégane Voghell for the exhibition harbinger, Eastern Bloc, Montreal.



Sans feu ni lieu; Sans foi ni loi. (2014). Cocurated with Mégane Voghell. Contributors: Connolly, I; Leung-Lo, K; Hunter McLean, C; Macarthur, Z; Marie-Rhodes, M; Patino, G; Simpson, O.  Studio XX, Montreal.



Art et archives. (Special episode, 2019). Codirected with Lisa Tronca. atelier, CIBL, Montreal.