Image Description: A colour photo of a Vietnamese femme-presenting person with dyed blonde shoulder length hair, standing with a light green long sleeve sweater over a full length white corduroy dress and black combat-like boots on a tree lined path in a park.
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Dona Nham





Dona Nham is an artist and researcher interested in the intersections of memory, identity, and (dis)placement. She holds a Bachelor’s degree in Pharmacology from the University of Alberta and is currently pursuing a Master’s in Media Studies at Concordia University. Dona’s academic work examines the impact of colonialism, imperialism, and white supremacy on cultural memory and identity fragmentation. Her current research project, Mediating Memory: Exploring (De)fragmentation in Vietnamese Canadian Diaspora, combines critical autoethnography and mixed-media approaches to reconnect fragmented family stories. She co-founded SistersInMotion, organizing numerous community events empowering Indigenous, Black and racialized women, femmes, and gender-diverse people through spoken word and creative practices. She has also performed at prominent festivals, including Festival TransAmérique and Festival Phénoména. With almost a decade of experience as a multidisciplinary artist, facilitator, and organizer, Dona is dedicated to amplifying marginalized voices through her practice-based research and creative work.  

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Concordia University
Communications & Journalism (CJ) Building
CJ 2.130, 7141 Sherbrooke St. W.
Montreal, Quebec H4B 1R6
Canada

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The Feminist Media Studio is located on the unceded lands of the Kanien’kehá:ka Nation. We seek to stand in solidarity with Indigenous demands for land restitution and reparations.


  
Our work—committed to intersectional and anti-colonial feminist praxis—actively engages and names the predicament of doing feminism on stolen land. We acknowledge that territorial acknowledgement is insufficient to stand in solidarity with Indigenous communities.
Our anti-colonial and decolonial efforts articulated in our Lab Values center resisting extraction in all its facets, de-centering feminist canons, valuing methodologies that oppose white supremacy, and building good relations with human and more-than-humans.
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