Image description: A white man with dark hair and a mustache wears a shiny burgundy shirt in front of a scratched metal door with brown paint. 

Francis Ouellette (fdg.)





Francis Ouellette (fdg.) is a multidisciplinary artist whose work moves between design, sound, moving image, and archival practices. With a background in Computation Arts and ongoing graduate research in Design, his practice is grounded in the study of contamination, environmental change, and the material traces of urban ecologies in flux. His work explores the aesthetic, political, and ecological implications of decay, degradation, and the slow violence embedded within everyday infrastructures. His current research, Residual Matter, renders this visible through the transformation of foraged materials into inks, dyes, biomaterials and substrates made of waste. Through this practice, he develops methods for sensing toxicity, mapping degraded landscapes, and articulating ecological vulnerabilities across urban spaces. 

He is a member of the Milieux Institute's Speculative Life BioLab, Textiles & Materiality, and Hexagram Network. He has worked with PHI, Centre CLARK, Applied AI Institute, AIM Lab, and Conférences Hypothèses, contributing to projects that combine documentation, artistic inquiry, and public engagement. His projects with Jessie Stainton; Wasteland, Path is a Spiral, and Spaces of Wonder, explore site-specific environmental concerns through sound walking, video, and material experimentation. Their ongoing collaboration developed during the SÍM Artist Residency in Iceland extends his interest in environmental sensing, human/nonhuman entanglements, and the aesthetic registers of climate conflict. He is a member of Interzone Editions, operates the No Exp label, and enjoys recording mixes for his Memory Archive radio show.
    

Participant in the following FMS projects

More Info

   

BFA Computation Arts
Masters in Design

francisouellette.84@gmail.com


Instagram
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SoundCloud ↗
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Installations & Exhibitions

2025 
Visibility. Sculpture, Performance, and Installation. SÍM Artist Residency, Reykjavik, Iceland.

Residual Matter. Installation. Symbiotic Futures group exhibition, Concordia University 4th Space, Montreal, QC. 

(Re)Synthesis. Video Installation. NODES: DART/CART group exhibition, SAT (Society for Arts and Technology), Montreal, QC. 

Aqua Mortis. Interactive Installation. Convergence 8 (Group Show), The Neuro, McGill University, Montreal, QC. 

Echo. Video Installation. xpan.earth (Group Show), Paris, FR. 

2024 
Wasteland. Audio Installation (with Jessie Stainton). Centre d'art et de diffusion CLARK, Montreal, QC. 

Fungal Re-Cognition. Interactive Installation, Tangible Media exhibition, Concordia University, Montreal, QC. 

2023 
Path is a Spiral (with Jessie Stainton). The Commons: A group exhibition, Milieux Research Institute for Arts and Technology, Montreal, QC. 

Dissolving The Self. STRATA: DART/CART group exhibition, Concordia University, Montreal, QC. 

2022 
FL0W3RS. Video, What is an Image? IVSA (Virtual Exhibition), Online.


Residencies

2025 
Spaces of Wonder (with Jessie Stainton), SÍM Artist Residency, Reykjavik, Iceland.


Artist Talks & Workshops

2024
Artist Talk for Wasteland (with Jessie Stainton). Centre d'art et de diffusion CLARK. 
Montreal, QC. 

2022 
1. Deconstructing FL0W3RS, Blender 3D (Online Workshop), Eastern Edge, St. John’s, NL


Art Book & Publications

2014 
On Organization, Book & CD. In collaboration with Jesse Osborne-Lanthier, Madison Dinelle & Xavier
Coulombe-Murray. Contributing artist & musician. Los Discos Enfantasmes, Montreal, QC.












 

Concordia University
Communications & Journalism (CJ) Building
CJ 2.130, 7141 Sherbrooke St. W.
Montreal, Quebec H4B 1R6
Canada

Space Accessibility




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info@feministmediastudio.ca
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The Feminist Media Studio is located on the unceded lands of the Kanien’kehá:ka Nation. We seek to stand in solidarity with Indigenous demands for land restitution and reparations.


  
Our work—committed to intersectional and anti-colonial feminist praxis—actively engages and names the predicament of doing feminism on stolen land. We acknowledge that territorial acknowledgement is insufficient to stand in solidarity with Indigenous communities.
Our anti-colonial and decolonial efforts articulated in our Lab Values center resisting extraction in all its facets, de-centering feminist canons, valuing methodologies that oppose white supremacy, and building good relations with human and more-than-humans.
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