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A white woman with long brown hair, wearing a black dress and silver necklace with a fish on it, standing in front of a grey background and looking into the camera. 
she/her

Sophie
Ogilvie-Hanson




Sophie Ogilvie-Hanson is a PhD student in the Department of Communication Studies at Concordia University. 

Sophie works at the intersection of popular music studies, critical algorithm studies, critical policy studies, and cultural studies. Her dissertation research focuses on the folk theories that independent musicians in Canada generate about the methods and metrics through which their music is evaluated, by both humans and by algorithms. She is also a musician, and performs and releases music under the name Sophie Ogilvie. 
    

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PhD Candidate, Department of Communication Studies, Concordia University 


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Articles
Ogilvie-Hanson, Sophie. "Review: Computing Taste: Algorithms and the Makers of Music Recommendation, by Nick Seaver." Journal of Popular Music Studies (2025) 37 (1): 93–96.




 

Concordia University
Communications & Journalism (CJ) Building
CJ 2.130, 7141 Sherbrooke St. W.
Montreal, Quebec H4B 1R6
Canada

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The Feminist Media Studio is located on the unceded lands of the Kanien’kehá:ka Nation. We seek to stand in solidarity with Indigenous demands for land restitution and reparations.


  
Our work—committed to intersectional and anti-colonial feminist praxis—actively engages and names the predicament of doing feminism on stolen land. We acknowledge that territorial acknowledgement is insufficient to stand in solidarity with Indigenous communities.
Our anti-colonial and decolonial efforts articulated in our Lab Values center resisting extraction in all its facets, de-centering feminist canons, valuing methodologies that oppose white supremacy, and building good relations with human and more-than-humans.
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