Image Description: A color image of a white man in a black, collared shirt against a floral backdrop.
he/him, settler

Tyler Morgenstern





Tyler Morgenstern is a cultural programmer and communication professional currently based on Coastal Chumash territory (Santa Barbara, California), where he serves as Assistant Director of the Carsey-Wolf Center. He holds a PhD in Film & Media Studies from UC Santa Barbara, where he completed his dissertation, Colonial Recursion and Decolonial Maneuver in the Cybernetic Diaspora, in 2021. As a scholar, his research and teaching focused broadly on the media and technological cultures of empire, with an emphasis on the design, development, and use of wireless communication networks in the context of colonial settlement. As a film programmer, he has a particular interest in contemporary Indigenous cinemas and experimental documentary and non-fiction film. His writing has appeared in journals including International Journal of Communication, Media+Environment, and Synoptique. With Krista Lynes and Ian Alan Paul, he is co-editor of Moving Images: Mediating Migration as Crisis (Transcript Verlag, 2020).

Participant in the following FMS projects

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PhD, Film & Media Studies, UC Santa Barbara
MA, Media Studies, Concordia University
BA, Communication, Simon Fraser University


tylermorgenstern.me








 

Concordia University
Communications & Journalism (CJ) Building
CJ 2.130, 7141 Sherbrooke St. W.
Montreal, Quebec H4B 1R6
Canada

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The Feminist Media Studio is located on the unceded lands of the Kanien’kehá:ka Nation. We seek to stand in solidarity with Indigenous demands for land restitution and reparations.


  
Our work—committed to intersectional and anti-colonial feminist praxis—actively engages and names the predicament of doing feminism on stolen land. We acknowledge that territorial acknowledgement is insufficient to stand in solidarity with Indigenous communities.
Our anti-colonial and decolonial efforts articulated in our Lab Values center resisting extraction in all its facets, de-centering feminist canons, valuing methodologies that oppose white supremacy, and building good relations with human and more-than-humans.
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